{"id":212,"date":"2023-09-20T20:30:30","date_gmt":"2023-09-20T19:30:30","guid":{"rendered":"https:\/\/anirongatemelts.net\/?page_id=212"},"modified":"2024-09-18T00:42:05","modified_gmt":"2024-09-17T23:42:05","slug":"__trashed-3","status":"publish","type":"page","link":"https:\/\/anirongatemelts.net\/index.php\/__trashed-3\/","title":{"rendered":"compositions"},"content":{"rendered":"\n
<\/div>\n\n\n\n
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Let Them Be Heard <\/strong>(2020)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

in four movements – standard tuning<\/p>\n<\/div>\n\n\n\n

\n

10m<\/p>\n<\/div>\n\n\n\n

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video<\/a><\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

No Potho Reposare <\/strong>(2022)
<\/p>\n<\/div>\n\n\n\n

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solo guitar<\/p>\n<\/div>\n\n\n\n

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contemporary arrangement of a traditional Sardinian song<\/p>\n<\/div>\n\n\n\n

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4m<\/p>\n<\/div>\n\n\n\n

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video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Half Moon, Double Rainbow <\/strong>(2021)<\/p>\n<\/div>\n\n\n\n

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solo guitar<\/p>\n<\/div>\n\n\n\n

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in five movements – standard tuning<\/p>\n<\/div>\n\n\n\n

\n

3m<\/p>\n<\/div>\n\n\n\n

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audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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Let Them Be Seen <\/strong>(2020)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

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single movement – scordatura: Eb A D G B E<\/p>\n<\/div>\n\n\n\n

\n

7m<\/p>\n<\/div>\n\n\n\n

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audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Imagen Sin Alas <\/strong>(2022)<\/p>\n<\/div>\n\n\n\n

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soprano, saxophone, percussion<\/p>\n<\/div>\n\n\n\n

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in nine movements – based on a poem by Julian de Burgos<\/p>\n<\/div>\n\n\n\n

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17m<\/p>\n<\/div>\n\n\n\n

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audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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Three Pieces in 1\/4-Comma Meantone <\/strong>(2023) <\/p>\n<\/div>\n\n\n\n

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retuned guitar\/ lute\/ any keybaord instrument <\/p>\n<\/div>\n\n\n\n

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set of three pieces in stile antico<\/em><\/p>\n<\/div>\n\n\n\n

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7.5m<\/p>\n<\/div>\n\n\n\n

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audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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Tribe <\/strong>(2023) – Music for dance work by Diego Salterini (Dance Now Miami)<\/p>\n<\/div>\n\n\n\n

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soprano, cello, and retuned piano<\/p>\n<\/div>\n\n\n\n

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three movement work in just intonation (standard notation)<\/p>\n<\/div>\n\n\n\n

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16m<\/p>\n<\/div>\n\n\n\n

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audio<\/a><\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
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A Wolf Howls Away From a Waxing Moon, Hovering Over a Goose as It Bites a Child <\/strong>(2023) <\/p>\n<\/div>\n\n\n\n

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digital guitar, live electronics (multi-channel)<\/p>\n<\/div>\n\n\n\n

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in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

10m<\/p>\n<\/div>\n\n\n\n

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audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Brookdale <\/strong>(2023) <\/p>\n<\/div>\n\n\n\n

\n

Fixed media<\/p>\n<\/div>\n\n\n\n

\n

music for dance work by Lazaro Godoy <\/strong><\/p>\n<\/div>\n\n\n\n

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40m<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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video (excerpts)<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Pieces in Just Intonation<\/strong> (2019 rev. 2023)<\/p>\n<\/div>\n\n\n\n

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violin and cello<\/p>\n<\/div>\n\n\n\n

\n

in three movements – uses only open strings and harmonics (standard and HEJI notation)<\/p>\n<\/div>\n\n\n\n

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7m<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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FOR TWO <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

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two fretless guitars<\/p>\n<\/div>\n\n\n\n

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in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

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5-7m<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
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On the Form of Trio <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

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three cellos or cello ensemble<\/p>\n<\/div>\n\n\n\n

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pedagogical work written for students on the Southwood Middle School Orchestra<\/p>\n<\/div>\n\n\n\n

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3m<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tuning Study <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

fretless guitar and electronics<\/p>\n<\/div>\n\n\n\n

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in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5-8m<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Rests on Water <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

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flute, digital guitar, and electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

6m<\/p>\n<\/div>\n\n\n\n

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audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Sonorites <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

clavichord and electronics<\/p>\n<\/div>\n\n\n\n

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Clavichord part in 12 EDO, electronics part in just intonation <\/p>\n<\/div>\n\n\n\n

\n

1m <\/p>\n<\/div>\n\n\n\n

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Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

FOR THREE <\/strong>(7 studies on ancient Greek tetrachords) <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

clarinet, clarinet\/bass clarinet, violin\/viola<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

15m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Haiku on Ancient Greek Scales <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

soprano, flute, just intonation guitar<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5.5m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Two Etudes <\/strong>(2022) <\/p>\n<\/div>\n\n\n\n

\n

digital guitar<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

6.5m<\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Six Etudes for Just Piano and (optional) Simple Electronics <\/strong>(2021) <\/p>\n<\/div>\n\n\n\n

\n

digital piano<\/p>\n<\/div>\n\n\n\n

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in just intonation (standard notation)<\/p>\n<\/div>\n\n\n\n

\n

15m c.<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

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score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

A Sparrow Flies Towards a Woman as She Stares at a Crescent Moon <\/strong>(2022) <\/p>\n<\/div>\n\n\n\n

\n

guitar, flute\/alto flute, clarinet\/bass clarinet, violin, cello, 2 percussionists
<\/p>\n<\/div>\n\n\n\n

\n

in three movements<\/p>\n<\/div>\n\n\n\n

\n

12m c.<\/p>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Anusim <\/strong>(2021) – Music for dance work by Dance Now Miami and Dan\u00e7a Em Di\u00e1logos<\/p>\n<\/div>\n\n\n\n

\n

voice, harp, guitar, percussion, and electronics<\/p>\n<\/div>\n\n\n\n

\n

in five movements<\/p>\n<\/div>\n\n\n\n

\n

20m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Paradise Lake <\/strong>(2021)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

in two movements<\/p>\n<\/div>\n\n\n\n

\n

7m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Adagio Solenne <\/strong>(2021)<\/p>\n<\/div>\n\n\n\n

\n

refretted solo guitar<\/p>\n<\/div>\n\n\n\n

\n

standard notation + HEJI<\/p>\n<\/div>\n\n\n\n

\n

5m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Omaggio a Marinetti <\/strong>(2020\/21)<\/p>\n<\/div>\n\n\n\n

\n

soprano, 2 guitars, percussion<\/p>\n<\/div>\n\n\n\n

\n

in four movements with optional additional movement<\/p>\n<\/div>\n\n\n\n

\n

15m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Omaggio a Marinetti <\/strong>(2020\/21)<\/p>\n<\/div>\n\n\n\n

\n

soprano, harp, electric guitar, percussion<\/p>\n<\/div>\n\n\n\n

\n

in five movements<\/p>\n<\/div>\n\n\n\n

\n

18m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

This Moment Here <\/strong>(2020) – Music for dance
work by Dance Now Miami<\/p>\n<\/div>\n\n\n\n

\n

violin, cello, clarinet, guitar, percussion<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

META <\/strong>(2020) <\/p>\n<\/div>\n\n\n\n

\n

solo guitar and optional electronics<\/p>\n<\/div>\n\n\n\n

\n

in two movements<\/p>\n<\/div>\n\n\n\n

\n

10m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Seven Petals <\/strong>(2020) <\/p>\n<\/div>\n\n\n\n

\n

violin and cello<\/p>\n<\/div>\n\n\n\n

\n

in seven movements<\/p>\n<\/div>\n\n\n\n

\n

8m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Outside Music <\/strong>(2019) – for four or more performers<\/p>\n<\/div>\n\n\n\n

\n

crotales, shakers, balloons, cell phones, triangles<\/p>\n<\/div>\n\n\n\n

\n

in seven movements<\/p>\n<\/div>\n\n\n\n

\n

20m ca. (variable)<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Notturno <\/strong>(2019) <\/p>\n<\/div>\n\n\n\n

\n

soprano and guitar<\/p>\n<\/div>\n\n\n\n

\n

in three movements<\/p>\n<\/div>\n\n\n\n

\n

7m <\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Fonema <\/strong>(2019) <\/p>\n<\/div>\n\n\n\n

\n

solo euphonium<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

14 Etudes <\/strong>(2019) <\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m <\/p>\n<\/div>\n\n\n\n

\n

video<\/a> (etudes 1-7)<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

EL-EVATE <\/strong>(2017 – rev. 2024) <\/p>\n<\/div>\n\n\n\n

\n

cello and live electronics with optional drones (3D-printed boxes, Arduinos, speakers, and custom circuit)<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a> <\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

EL-EVATE <\/strong>(2017 – rev. 2024) <\/p>\n<\/div>\n\n\n\n

\n

trombone and live electronics <\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a> <\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Algorithmic Etudes <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

Arduino-controlled drums<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Sora Luce <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

solo cello<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

7.5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Brevities <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

flute and guitar<\/p>\n<\/div>\n\n\n\n

\n

in three movements<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

DE-FLUIT <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

electric guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation – scordatura<\/p>\n<\/div>\n\n\n\n

\n

8.5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

W-END <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

flute and viola<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tre creature <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

scordatura – Note: there are two versions of the score. The transposing version is notated as if the guitar was in standard notation.<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tre pezzi in stile antico <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

solo viola da gamba<\/p>\n<\/div>\n\n\n\n

\n

two movements were used in Hannah Baumgarten\u2019s Fire Within, Fire Without: Dido on the Pyre<\/p>\n<\/div>\n\n\n\n

\n

7m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tailypo I <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

microphones, loudspeakers, computer, and dancers<\/p>\n<\/div>\n\n\n\n

\n

uses feedback as sound source <\/p>\n<\/div>\n\n\n\n

\n

10m or more <\/p>\n<\/div>\n\n\n\n

\n

video (excerpt)<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tailypo II <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

any number of mobile devices<\/p>\n<\/div>\n\n\n\n

\n

uses feedback as sound source – this version is designed to be performed by a group of performers, ideal for laptop ensembles<\/p>\n<\/div>\n\n\n\n

\n

10m or more <\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

performance materials<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tailypo III <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

any number of unmanned mobile devices<\/p>\n<\/div>\n\n\n\n

\n

uses feedback as sound source – this version is designed to be performed as an installation<\/p>\n<\/div>\n\n\n\n

\n

10m or more <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

performance materials<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Frate Vento, Frate Focu <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

alto flute and guitar<\/p>\n<\/div>\n\n\n\n

\n

scordatura (written as a kind of sister pieces to Tre Creature)<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Volcanic <\/strong>(2017) – Music for dance work by Carlota Pradera<\/p>\n<\/div>\n\n\n\n

\n

live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m ca <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tenue Voci <\/strong>(2017)<\/p>\n<\/div>\n\n\n\n

\n

flute, viola, double bass<\/p>\n<\/div>\n\n\n\n

\n

in six movements<\/p>\n<\/div>\n\n\n\n

\n

7m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Wildflower <\/strong>(2016)<\/p>\n<\/div>\n\n\n\n

\n

guitar and live electronics <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Wildflower <\/strong>(2016)<\/p>\n<\/div>\n\n\n\n

\n

flute, guitar, and live electronics <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Omaggio a Henry Cowell <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

fixed media<\/p>\n<\/div>\n\n\n\n

\n

polyrhythmic etude using samples of water drops<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Armour <\/strong>(2017) – Music for dance work by Lazaro Godoy<\/p>\n<\/div>\n\n\n\n

\n

voice, piano, electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m ca <\/p>\n<\/div>\n\n\n\n

\n

audio (excerpt)<\/a><\/p>\n\n\n\n

video trailer<\/a><\/p>\n<\/div>\n\n\n\n

\n

score (excerpt)<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Diversions <\/strong>(2016)<\/p>\n<\/div>\n\n\n\n

\n

guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (for standard guitars, using scordatura)<\/p>\n<\/div>\n\n\n\n

\n

4.5m <\/p>\n<\/div>\n\n\n\n

\n

audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

The Land Where the Sun Rises <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

flute ensemble<\/p>\n<\/div>\n\n\n\n

\n

4 or more players, any types of flute<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Shikantaza <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (for standard guitar, using scordatura)<\/p>\n<\/div>\n\n\n\n

\n

11.5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Polyrhythmia <\/strong>(2015) – Music for dance
work by Dance Now Miami<\/p>\n<\/div>\n\n\n\n

\n

guitar (sampled, prepared, etc.)<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

45m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

All Questions and Answers and In Your Very Mind <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

flute quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Like Flowers in the Sky <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

cello and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

13m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

In Silico <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

flute and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tract <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

percussion and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

13m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

R~T~L <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

prepared guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

with scordatura<\/p>\n<\/div>\n\n\n\n

\n

11m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Antiguo Llanto <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

15m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

In Principio Erat Sonus <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

trombone and electric guitar<\/p>\n<\/div>\n\n\n\n

\n

in five movements<\/p>\n<\/div>\n\n\n\n

\n

10m c. <\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Voice2Voice <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

voice (any), toy percussion, and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

e poi, solo sfiorandole <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

d’improvviso da immobile s’illumina <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

bass clarinet and orchestra<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

10m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Anoesis <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

piano<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

12m <\/p>\n<\/div>\n\n\n\n

\n

Audio (live)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

De Profundis <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

bass clarinet and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

9m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tragos <\/strong>(2012)<\/p>\n<\/div>\n\n\n\n

\n

double bass and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

14.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Six Characters <\/strong>(2011) – Music for dance
work by Dance Now Miami<\/p>\n<\/div>\n\n\n\n

\n

violin and two guitars<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Solace <\/strong>(2011)<\/p>\n<\/div>\n\n\n\n

\n

woodwind quintet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

9m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

RIVIR <\/strong>(2011)<\/p>\n<\/div>\n\n\n\n

\n

viola<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

8m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Introduction and Dance <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Voice Invention <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

guitar trio<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Fatuous Fay <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

pedagogical work for guitar ensemble (4 parts), or guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Lotus <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

two pedagogical pieces for guitar ensemble (3 parts), or guitar trio<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Hocus <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

pedagogical work for guitar ensemble (4 parts), or guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

variable <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Spindrift<\/strong> (2009)<\/p>\n<\/div>\n\n\n\n

\n

guitar trio<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Un peque\u00f1o vals para el cumplea\u00f1os de Ori\u00f3n<\/strong> (2020)<\/p>\n<\/div>\n\n\n\n

\n

cello and guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2m <\/p>\n<\/div>\n\n\n\n

\n

Video<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Shades of Blue (three pieces for guitar)<\/strong> (2004)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

8m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Sonata <\/strong>(2007)<\/p>\n<\/div>\n\n\n\n

\n

for two guitars<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Prayer and Dance <\/strong>(2005)<\/p>\n<\/div>\n\n\n\n

\n

solo violin<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n","protected":false},"excerpt":{"rendered":"

Let Them Be Heard (2020) solo guitar in four movements – standard tuning 10m video score No Potho Reposare (2022) solo guitar contemporary arrangement of a traditional Sardinian song 4m video score Half Moon, Double Rainbow (2021) solo guitar in five movements – standard tuning 3m audio score Let Them Be Seen (2020) solo guitar […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages\/212"}],"collection":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":152,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages\/212\/revisions"}],"predecessor-version":[{"id":536,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages\/212\/revisions\/536"}],"wp:attachment":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/media?parent=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}