{"id":212,"date":"2023-09-20T20:30:30","date_gmt":"2023-09-20T19:30:30","guid":{"rendered":"https:\/\/anirongatemelts.net\/?page_id=212"},"modified":"2026-10-01T18:56:09","modified_gmt":"2026-10-01T17:56:09","slug":"__trashed-3","status":"publish","type":"page","link":"https:\/\/anirongatemelts.net\/index.php\/__trashed-3\/","title":{"rendered":"compositions"},"content":{"rendered":"\n
<\/div>\n\n\n\n
\n
\n

Entre Tempos <\/strong>(2026)<\/p>\n<\/div>\n\n\n\n

\n

two solo flutes, flute ensemble, and electronics<\/p>\n<\/div>\n\n\n\n

\n

Commissioned by the SRU Honors Flute Ensemble<\/p>\n<\/div>\n\n\n\n

\n

3m<\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Eternal Child <\/strong>(2024)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

3m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

In time, appears beneath, the light, then flies across <\/strong>(2024)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5.5m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

SEVENTIDES <\/strong>(2025)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

in seven movements, commissioned by Carlos Serrano<\/p>\n<\/div>\n\n\n\n

\n

20m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

AEDO 5 <\/strong>(2024)<\/p>\n<\/div>\n\n\n\n

\n

digital guitar<\/p>\n<\/div>\n\n\n\n

\n

ongoing series exploring 5-8 note scales in just intonation<\/p>\n<\/div>\n\n\n\n

\n

3m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

AEDO 6 <\/strong>(2024)<\/p>\n<\/div>\n\n\n\n

\n

digital guitar<\/p>\n<\/div>\n\n\n\n

\n

ongoing series exploring 5-8 note scales in just intonation<\/p>\n<\/div>\n\n\n\n

\n

5m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Let Them Be Heard <\/strong>(2020)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

in four movements – standard tuning<\/p>\n<\/div>\n\n\n\n

\n

10m<\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

No Potho Reposare <\/strong>(2022)
<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

contemporary arrangement of a traditional Sardinian song<\/p>\n<\/div>\n\n\n\n

\n

4m<\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Half Moon, Double Rainbow <\/strong>(2021)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

in five movements – standard tuning<\/p>\n<\/div>\n\n\n\n

\n

3m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Let Them Be Seen <\/strong>(2020)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

single movement – scordatura: Eb A D G B E<\/p>\n<\/div>\n\n\n\n

\n

7m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Imagen Sin Alas <\/strong>(2022)<\/p>\n<\/div>\n\n\n\n

\n

soprano, saxophone, percussion<\/p>\n<\/div>\n\n\n\n

\n

in nine movements – based on a poem by Julian de Burgos<\/p>\n<\/div>\n\n\n\n

\n

17m<\/p>\n<\/div>\n\n\n\n

\n

audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Pieces in 1\/4-Comma Meantone <\/strong>(2023) <\/p>\n<\/div>\n\n\n\n

\n

retuned guitar\/ lute\/ any keybaord instrument <\/p>\n<\/div>\n\n\n\n

\n

set of three pieces in stile antico<\/em><\/p>\n<\/div>\n\n\n\n

\n

7.5m<\/p>\n<\/div>\n\n\n\n

\n

audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tribe <\/strong>(2023) – Music for dance work by Diego Salterini (Dance Now Miami)<\/p>\n<\/div>\n\n\n\n

\n

soprano, cello, and retuned piano<\/p>\n<\/div>\n\n\n\n

\n

three movement work in just intonation (standard notation)<\/p>\n<\/div>\n\n\n\n

\n

16m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

A Wolf Howls Away From a Waxing Moon, Hovering Over a Goose as It Bites a Child <\/strong>(2023) <\/p>\n<\/div>\n\n\n\n

\n

digital guitar, live electronics (multi-channel)<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

10m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Brookdale <\/strong>(2023) <\/p>\n<\/div>\n\n\n\n

\n

Fixed media<\/p>\n<\/div>\n\n\n\n

\n

music for dance work by Lazaro Godoy <\/strong><\/p>\n<\/div>\n\n\n\n

\n

40m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

video (excerpts)<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Pieces in Just Intonation<\/strong> (2019 rev. 2023)<\/p>\n<\/div>\n\n\n\n

\n

violin and cello<\/p>\n<\/div>\n\n\n\n

\n

in three movements – uses only open strings and harmonics (standard and HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

7m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

FOR TWO <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

two fretless guitars<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5-7m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

On the Form of Trio <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

three cellos or cello ensemble<\/p>\n<\/div>\n\n\n\n

\n

pedagogical work written for students on the Southwood Middle School Orchestra<\/p>\n<\/div>\n\n\n\n

\n

3m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tuning Study <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

fretless guitar and electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5-8m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Rests on Water <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

flute, digital guitar, and electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

6m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Sonorites <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

clavichord and electronics<\/p>\n<\/div>\n\n\n\n

\n

Clavichord part in 12 EDO, electronics part in just intonation <\/p>\n<\/div>\n\n\n\n

\n

1m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

FOR THREE <\/strong>(7 studies on ancient Greek tetrachords) <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

clarinet, clarinet\/bass clarinet, violin\/viola<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

15m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Haiku on Ancient Greek Scales <\/strong>(2023)<\/p>\n<\/div>\n\n\n\n

\n

soprano, flute, just intonation guitar<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5.5m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Two Etudes <\/strong>(2022) <\/p>\n<\/div>\n\n\n\n

\n

digital guitar<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

6.5m<\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Six Etudes for Just Piano and (optional) Simple Electronics <\/strong>(2021) <\/p>\n<\/div>\n\n\n\n

\n

digital piano<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (standard notation)<\/p>\n<\/div>\n\n\n\n

\n

15m c.<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

A Sparrow Flies Towards a Woman as She Stares at a Crescent Moon <\/strong>(2022) <\/p>\n<\/div>\n\n\n\n

\n

guitar, flute\/alto flute, clarinet\/bass clarinet, violin, cello, 2 percussionists
<\/p>\n<\/div>\n\n\n\n

\n

in three movements<\/p>\n<\/div>\n\n\n\n

\n

12m c.<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Anusim <\/strong>(2021) – Music for dance work by Dance Now Miami and Dan\u00e7a Em Di\u00e1logos<\/p>\n<\/div>\n\n\n\n

\n

voice, harp, guitar, percussion, and electronics<\/p>\n<\/div>\n\n\n\n

\n

in five movements<\/p>\n<\/div>\n\n\n\n

\n

20m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Paradise Lake <\/strong>(2021)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

in two movements<\/p>\n<\/div>\n\n\n\n

\n

7m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Adagio Solenne <\/strong>(2021)<\/p>\n<\/div>\n\n\n\n

\n

refretted solo guitar<\/p>\n<\/div>\n\n\n\n

\n

standard notation + HEJI<\/p>\n<\/div>\n\n\n\n

\n

5m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Omaggio a Marinetti <\/strong>(2020\/21)<\/p>\n<\/div>\n\n\n\n

\n

soprano, 2 guitars, percussion<\/p>\n<\/div>\n\n\n\n

\n

in four movements with optional additional movement<\/p>\n<\/div>\n\n\n\n

\n

15m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Omaggio a Marinetti <\/strong>(2020\/21)<\/p>\n<\/div>\n\n\n\n

\n

soprano, harp, electric guitar, percussion<\/p>\n<\/div>\n\n\n\n

\n

in five movements<\/p>\n<\/div>\n\n\n\n

\n

18m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

This Moment Here <\/strong>(2020) – Music for dance
work by Dance Now Miami<\/p>\n<\/div>\n\n\n\n

\n

violin, cello, clarinet, guitar, percussion<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

META <\/strong>(2020) <\/p>\n<\/div>\n\n\n\n

\n

solo guitar and optional electronics<\/p>\n<\/div>\n\n\n\n

\n

in two movements<\/p>\n<\/div>\n\n\n\n

\n

10m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Seven Petals <\/strong>(2020) <\/p>\n<\/div>\n\n\n\n

\n

violin and cello<\/p>\n<\/div>\n\n\n\n

\n

in seven movements<\/p>\n<\/div>\n\n\n\n

\n

8m<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Outside Music <\/strong>(2019) – for four or more performers<\/p>\n<\/div>\n\n\n\n

\n

crotales, shakers, balloons, cell phones, triangles<\/p>\n<\/div>\n\n\n\n

\n

in seven movements<\/p>\n<\/div>\n\n\n\n

\n

20m ca. (variable)<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Notturno <\/strong>(2019) <\/p>\n<\/div>\n\n\n\n

\n

soprano and guitar<\/p>\n<\/div>\n\n\n\n

\n

in three movements<\/p>\n<\/div>\n\n\n\n

\n

7m <\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Fonema <\/strong>(2019) <\/p>\n<\/div>\n\n\n\n

\n

solo euphonium<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

14 Etudes <\/strong>(2019) <\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m <\/p>\n<\/div>\n\n\n\n

\n

video<\/a> (etudes 1-7)<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

EL-EVATE <\/strong>(2017 – rev. 2024) <\/p>\n<\/div>\n\n\n\n

\n

cello and live electronics with optional drones (3D-printed boxes, Arduinos, speakers, and custom circuit)<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a> <\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

EL-EVATE <\/strong>(2017 – rev. 2024) <\/p>\n<\/div>\n\n\n\n

\n

trombone and live electronics <\/p>\n<\/div>\n\n\n\n

\n

in just intonation (HEJI notation)<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a> <\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Algorithmic Etudes <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

Arduino-controlled drums<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Sora Luce <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

solo cello<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

7.5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Brevities <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

flute and guitar<\/p>\n<\/div>\n\n\n\n

\n

in three movements<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

DE-FLUIT <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

electric guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation – scordatura<\/p>\n<\/div>\n\n\n\n

\n

8.5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

W-END <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

flute and viola<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tre creature <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

scordatura – Note: there are two versions of the score. The transposing version is notated as if the guitar was in standard notation.<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tre pezzi in stile antico <\/strong>(2018) <\/p>\n<\/div>\n\n\n\n

\n

solo viola da gamba<\/p>\n<\/div>\n\n\n\n

\n

two movements were used in Hannah Baumgarten\u2019s Fire Within, Fire Without: Dido on the Pyre<\/p>\n<\/div>\n\n\n\n

\n

7m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tailypo I <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

microphones, loudspeakers, computer, and dancers<\/p>\n<\/div>\n\n\n\n

\n

uses feedback as sound source <\/p>\n<\/div>\n\n\n\n

\n

10m or more <\/p>\n<\/div>\n\n\n\n

\n

video (excerpt)<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tailypo II <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

any number of mobile devices<\/p>\n<\/div>\n\n\n\n

\n

uses feedback as sound source – this version is designed to be performed by a group of performers, ideal for laptop ensembles<\/p>\n<\/div>\n\n\n\n

\n

10m or more <\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

performance materials<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tailypo III <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

any number of unmanned mobile devices<\/p>\n<\/div>\n\n\n\n

\n

uses feedback as sound source – this version is designed to be performed as an installation<\/p>\n<\/div>\n\n\n\n

\n

10m or more <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

performance materials<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Frate Vento, Frate Focu <\/strong>(2017) <\/p>\n<\/div>\n\n\n\n

\n

alto flute and guitar<\/p>\n<\/div>\n\n\n\n

\n

scordatura (written as a kind of sister pieces to Tre Creature)<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

video<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Volcanic <\/strong>(2017) – Music for dance work by Carlota Pradera<\/p>\n<\/div>\n\n\n\n

\n

live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m ca <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tenue Voci <\/strong>(2017)<\/p>\n<\/div>\n\n\n\n

\n

flute, viola, double bass<\/p>\n<\/div>\n\n\n\n

\n

in six movements<\/p>\n<\/div>\n\n\n\n

\n

7m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Wildflower <\/strong>(2016)<\/p>\n<\/div>\n\n\n\n

\n

guitar and live electronics <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Wildflower <\/strong>(2016)<\/p>\n<\/div>\n\n\n\n

\n

flute, guitar, and live electronics <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Omaggio a Henry Cowell <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

fixed media<\/p>\n<\/div>\n\n\n\n

\n

polyrhythmic etude using samples of water drops<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Armour <\/strong>(2017) – Music for dance work by Lazaro Godoy<\/p>\n<\/div>\n\n\n\n

\n

voice, piano, electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m ca <\/p>\n<\/div>\n\n\n\n

\n

audio (excerpt)<\/a><\/p>\n\n\n\n

video trailer<\/a><\/p>\n<\/div>\n\n\n\n

\n

score (excerpt)<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Diversions <\/strong>(2016)<\/p>\n<\/div>\n\n\n\n

\n

guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (for standard guitars, using scordatura)<\/p>\n<\/div>\n\n\n\n

\n

4.5m <\/p>\n<\/div>\n\n\n\n

\n

audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

The Land Where the Sun Rises <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

flute ensemble<\/p>\n<\/div>\n\n\n\n

\n

4 or more players, any types of flute<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Shikantaza <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

in just intonation (for standard guitar, using scordatura)<\/p>\n<\/div>\n\n\n\n

\n

11.5m <\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Polyrhythmia <\/strong>(2015) – Music for dance
work by Dance Now Miami<\/p>\n<\/div>\n\n\n\n

\n

guitar (sampled, prepared, etc.)<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

45m<\/p>\n<\/div>\n\n\n\n

\n

audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

All Questions and Answers and In Your Very Mind <\/strong>(2015)<\/p>\n<\/div>\n\n\n\n

\n

flute quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Like Flowers in the Sky <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

cello and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

13m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

In Silico <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

flute and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tract <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

percussion and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

13m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

R~T~L <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

prepared guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

with scordatura<\/p>\n<\/div>\n\n\n\n

\n

11m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Antiguo Llanto <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

15m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

In Principio Erat Sonus <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

trombone and electric guitar<\/p>\n<\/div>\n\n\n\n

\n

in five movements<\/p>\n<\/div>\n\n\n\n

\n

10m c. <\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Voice2Voice <\/strong>(2014)<\/p>\n<\/div>\n\n\n\n

\n

voice (any), toy percussion, and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

e poi, solo sfiorandole <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

guitar and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

6m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

d’improvviso da immobile s’illumina <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

bass clarinet and orchestra<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

10m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Anoesis <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

piano<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

12m <\/p>\n<\/div>\n\n\n\n

\n

Audio (live)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

De Profundis <\/strong>(2013)<\/p>\n<\/div>\n\n\n\n

\n

bass clarinet and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

9m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Tragos <\/strong>(2012)<\/p>\n<\/div>\n\n\n\n

\n

double bass and live electronics<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

14.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Six Characters <\/strong>(2011) – Music for dance
work by Dance Now Miami<\/p>\n<\/div>\n\n\n\n

\n

violin and two guitars<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

30m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Solace <\/strong>(2011)<\/p>\n<\/div>\n\n\n\n

\n

woodwind quintet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

9m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

RIVIR <\/strong>(2011)<\/p>\n<\/div>\n\n\n\n

\n

viola<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

8m <\/p>\n<\/div>\n\n\n\n

\n

Audio<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Introduction and Dance <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

4m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Three Voice Invention <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

guitar trio<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Fatuous Fay <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

pedagogical work for guitar ensemble (4 parts), or guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Lotus <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

two pedagogical pieces for guitar ensemble (3 parts), or guitar trio<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Hocus <\/strong>(2010)<\/p>\n<\/div>\n\n\n\n

\n

pedagogical work for guitar ensemble (4 parts), or guitar quartet<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

variable <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Spindrift<\/strong> (2009)<\/p>\n<\/div>\n\n\n\n

\n

guitar trio<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Un peque\u00f1o vals para el cumplea\u00f1os de Ori\u00f3n<\/strong> (2020)<\/p>\n<\/div>\n\n\n\n

\n

cello and guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

2m <\/p>\n<\/div>\n\n\n\n

\n

Video<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Shades of Blue (three pieces for guitar)<\/strong> (2004)<\/p>\n<\/div>\n\n\n\n

\n

solo guitar<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

8m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Sonata <\/strong>(2007)<\/p>\n<\/div>\n\n\n\n

\n

for two guitars<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5.5m <\/p>\n<\/div>\n\n\n\n

\n

Audio (mockup)<\/a><\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n
\n

Prayer and Dance <\/strong>(2005)<\/p>\n<\/div>\n\n\n\n

\n

solo violin<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

5m <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n\n\n\n

\n

Score<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n","protected":false},"excerpt":{"rendered":"

Entre Tempos (2026) two solo flutes, flute ensemble, and electronics Commissioned by the SRU Honors Flute Ensemble 3m video score Eternal Child (2024) solo guitar 3m audio score In time, appears beneath, the light, then flies across (2024) solo guitar 5.5m audio score SEVENTIDES (2025) solo guitar in seven movements, commissioned by Carlos Serrano 20m […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-212","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":153,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages\/212\/revisions"}],"predecessor-version":[{"id":540,"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/pages\/212\/revisions\/540"}],"wp:attachment":[{"href":"https:\/\/anirongatemelts.net\/index.php\/wp-json\/wp\/v2\/media?parent=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}